Sunday, February 15, 2015

OSBA Resource Carousel – Mid-winter Get-together

By Cecilia Martin

On one of the coldest days this winter, fifteen members of the Ottawa Society of Botanical Artists gathered at Claudia’s house for a most enjoyable afternoon, disproving our earlier concerns that we would not get many members out to anything in the winter!

Janet, our president, suggested that the theme for this get-together should be compiling a “Resource Carousel”.  Participants came armed with their favourite books from their own collections, and supplies that have assisted in their artistic endeavours.  They were also ask to list videos, web sites and blogs of interest and to suggest ideas for activities, outings, specialized topics they would like to learn more about and guest speakers they would like have for our meetings throughout the year.

Four tables were set up in Claudia’s spacious ground floor, each area dedicated to a specific topic. When I arrived I was happy to see the dining room table piled high with books, and numerous people around it happily browsing through the collection. Mary did a magnificent job of listing all the books on her laptop during the afternoon, giving us a good start on our project of recording the books in order to make a list available on this blog.

A second table was positioned by a window overlooking Claudia’s beautiful back yard, primarily to list suppliers and supplies people felt were worthy of note.  Inga brought along a light box she had recently purchased, Mary had a useful helping hands stand with a magnifier.  An inexpensive way to help with holding plant material in a stable position.  Carla brought in some brushes that have their own water reservoir, which she is currently experimenting with.  Janet kept records of all information that was shared in this area, and Carla listed many web sites, videos and blogs as our “techie” recorder!  Likewise, ideas for outings, speakers and topics were shared at other tables. 

All of this done with a beautiful background winter scene in Claudia’s backyard, that included numerous woodpeckers’ cardinals and other birds at her bird feeders.


Many delicious treats were contributed by members and tea and coffee served.  There was constant lively chatter and laughter, and the “winter blahs” dispelled from all of us.  It was lovely to re-establish old friendships, and meet new members as well.
We left feeling that we had accomplished a good start to our Resource initiative and happy to spend an exhilarating afternoon and to forget, if only for those few hours, the winter’s seemingly never ending chill.

I would like to thank Claudia for hosting this event for us, and thanks to all who attended and for their participation and useful information and suggestions.

Sunday, January 25, 2015

Botanical Art and Plant Portraits Exhibition








Botanical Art  - Plant Portraits

An exhibition of drawings and watercolours
Nepean Visual Arts Centre
January 15 to March 9, 2015

The plant kingdom is the muse: from seedpods
to sedges, fall leaves to flowers …

This exhibition celebrates the accomplishments, artistry and talents of Nepean Visual Art Centre’s botanical art students.  Mentored by instructor, Kerri Weller, students master the materials and techniques essential to creating realistic drawings and paintings of their botanical subjects.
Please join us to view the art, meet the artists 
and for refreshments!

Vernissage

Sunday, February 8, 1:00 to 3:30 pm
Nepean Visual Arts Centre is located in the Nepean Sportsplex
1701 Woodroffe Avenue at Hunt Club, Entrance 3, rear parking lot

Hours are Monday to Friday: 8:30 am to 9:30 pm, 
Saturday & Sunday: 9:30 am to 3:30 pm


For further info, please call the front desk at 613 580-2424 ext. 46652

Friday, December 5, 2014

Changes to our OSBA Executive for 2015

We would like to express our thanks to members of the OSBA executive for the work they have done over the past year.

Kerri Weller
At our annual General meeting in November a special presentation was made to Kerri Weller, who resigned from our executive after her three year term. Kerri has been a driving force behind the start-up of OSBA, encouraging members to join, and generally getting things rolling. In her position of Exhibition and Guest speaker coordinator she tirelessly gave of her time to encourage us to submit paintings for our exhibitions, and set them up in a cohesive manner, establishing a standard of excellence in our work, as well as searching out the wonderfully interesting guest speakers we have had at our General Meetings.  Kerri: a very special Thank You.

Jan Salmon

Jan Salmon also resigned as President and we thank her for the excellent leadership she gave to OSBA over the past year.






Janet Marshall
And now, a welcome to our new President: Janet Marshall. While relatively new to OSBA, Janet brings many life skills to the position, and we look forward to getting to know her in the upcoming year. Thank you for stepping up for this position. Welcome Janet!



Janet has been kind enough to submit a brief biography so we can all get to know her.
As a youngster, I loved art and was chosen for classes through The University of Manitoba where I studied with George Swinton. I also took art classes all through school, showing up to work before school and eating my lunch with the teachers.

At The University of Calgary, I studied Art and Music and went on to teach in Calgary, Kingston, Napanee and Ottawa. Following university, I studied Advanced Drawing with Ivan Eyre at The University of Manitoba and Art History at Queenʼs, Carleton and The University of Calgary.

While living in Edmonton, at home with two small children, I was part of a figure drawing studio. In Ottawa, I have taken part in figure drawing studios at The Nepean Sportsplex and The Ottawa School of Art. Iʼve also worked in clay at the Sportsplex doing mostly bas reliefs -- drawing in clay.

I discovered Kerri Wellerʼs class and realized that she could take me in new directions. I want to master watercolour painting and to produce more finished artwork. Part of watercolourʼs appeal is that I can do it at home in retirement and itʼs portable for travel.

I bring to The OSBA a passion for art. As for a sample of botanical art from me at this time, the teacher in me offers instead the words ‘shows potential’.

Janet Marshall

 Please look for this bio and other bios of OSBA members 
on the 'Members' tab.

Wednesday, November 12, 2014

MY ART STUDIO

By Cecilia Martin

A studio space is a luxury for many artists. It can be anything from a separate rented space where one can meet with other artists, to a corner of the kitchen table.

A few years ago a bedroom space in my home was no longer needed. As it had a North facing window which provides ideal light, I decided to convert it into my studio. What a luxury! I no longer had to pack up all my art stuff when table space was needed, and my artwork was set up, always inviting me to enter, and “get to work”.

As I am left handed, I positioned my white drawing table in front of the window, with the light coming in from my right side. Over time I have found what placement of my palette, brushes, pencils etc. works best for me. Standing on the table I have a foam-core board to place my subject in front of, to give a clear sharp background. Occasionally I pin a subject to this board if I find it needs to be raised or positioned in a way that is otherwise difficult in a vase.

To the left of my chair I have a small cabinet with drawers, purchased from Ikea. Water bowls and my palette are conveniently placed on top. Past artwork, sketch books and colour sample pages are kept flat in the drawers.

I also have an Ikea bookcase, where I can keep my art reference books and magazines, extra vases, and supplies all within easy reach. I find the whiteness of the furniture makes the colour of my artwork stand out more. On a wall to the left of my drawing table, I have taped up tracings of artwork I am still working on. Sometimes I don’t have time to complete a piece one year. Having the tracing there reminds me that I need to pick up this piece when it’s in season again!





Lastly, a very important addition to my space is my sound system. I mostly listen to classical music on CBC radio, but occasionally when I get a bit stuck with my painting, I play one or two of my favourite CD’s to help me get past this.

I feel very fortunate to have my studio, and guests have commented often on what a peaceful and happily relaxed space it is.


Sunday, November 2, 2014

OSBA GENERAL MEETING

OSBA General Meeting
Monday, November 10, 2014
Time: 1:00 to 3:30

Please join us on Monday afternoon for our meeting, guest lecture and social get-together at the Nepean Visual Arts Centre – Located at the Nepean Sportsplex.
The address is 1701 Woodroffe Avenue.  The NVAC is located at the back at entrance 3. (For those who have taken classes with Kerri – the meeting is in the same room.)

MEMBERHIP RENEWAL
It is time to renew your membership.  Please bring your cheque book or cash to the meeting.  Membership fee is $25 annually. If you wish to renew but are unable to attend the meeting please contact Sue Quinn at suequinn260@yahoo.ca 
NEW MEMBERS WELCOMED
NOMINATIONS AND VOTING FOR EXECUTIVE POSITIONS
Current members who are interested any positions can put their names forward to Jan Salmon at jansalmon@sympatico.ca  before the next meeting.  Also, anyone interested in nominating someone else for a position should send Jan those names as well.  

PRESENTATION
Horizon [intermittent] Horizon by Doris Lamontagne.
Images invite you to 'a walk by the water'. It provides an opportunity for reflection
and the need to get off the grid. No cell phone, no computer, and no electronics: achieving the state of flow where time and surroundings converge to a state of contemplation. A simple walk by the water is all that is needed…

Doris Lamontagne’s bio:
Whether as a photographer, an independent artist or a visual and interaction designer she has been involved in art-making all her life. Born in Québec, she lived in many different Canadian cities and in the USA; she made Ottawa-Gatineau her home in 1996. Trained in traditional film photography, she was an early adopter of digital photography. Her work in digital art and photography is shown regularly in art galleries and artists run centres. 

Tuesday, October 7, 2014

USING PHOTO REFERENCE IN BOTANICAL ART

by Celia Godkin

Botanical artists usually prefer to work from live specimens, but sometimes this isn’t possible, and we must turn to photographic reference instead. As a children’s book illustrator, I have to rely on extensive reference material from a variety of sources including photographs.

In my most recent book, Skydiver, there’s an oil painting of corn plants on a page that describes the spraying of farm crops with DDT. This was the pesticide that caused severe declines in peregrine falcons, the subject of the book.

The image was based on a couple of reference photos I took at the edge of a field of corn.  Knowing that the image would have to be a low view, looking upward towards an air-borne peregrine, I deliberately angled the camera upwards so that there would be lots of sky in the photos. 

Here are my reference photos: 


And here is a detail of the resulting illustration:


Note that I haven’t slavishly copied the photographs. To do so would mean that all the cast shadow and transparency that confuses the interpretation of form would have been included. Instead, I use the photographic reference as the point of departure, simplifying and eliminating confusing shadows to explain the form without violating the integrity of the plant structure.

Far from being a distortion, I view this departure from photographic realism as an integral part of the “scientific accuracy” component of botanical art. I seek to explain and clarify plant structures in the same way that science attempts to elucidate nature.

I hope this example clarifies one of the important differences between botanical art and floral fine art. Art imitates nature, science seeks to explain it and botanical art hopes to achieve both of these goals.

Book details:
Skydiver: Saving the Fastest Bird in the World by Celia Godkin; Pajama Press, 2014, is the inspiring story of how the peregrine falcon was saved from the brink of disaster. ISBN 978-1-927485-61-3 (bound) $19.95. See further information at www.pajamapress.ca

Wednesday, October 1, 2014

OSBA SKETCHING GROUP – 2014



When the weather in Ottawa finally warms up, eager members of OSBA group have been gathering for a few hours each week to socialize with other members, to sketch outdoors in relaxed surrounding and be entertained by the numerous little animals and birds.
 
The outdoor sketching group has had it challenges this year.  Compared to last year where we were able to have our outings, pretty much, every week and going until mid-October.  This year, though, we had been haunted by the rain gods who seem to have been soaking up just about every Wednesday and Thursday all summer.  With that being said, Inga Legere, the Sketching Co-ordinator and part-time weather reporter, did managed to put together a handful of sketching get-togethers. 

We would like to thank volunteer Isabelle Nicol, Backyard Garden Manager, at the Fletcher Wildlife Garden for making us feel right at home in the backyard garden.




We also managed to get a few sketching days in at the Ornamental Gardens at the Experimental Farm.